The big voxes are their own things in person and on paper. Supplying musical equipment for over 30 years. The main thing that makes them voxy is the lack of negative feedback.Īwesome amps (though prone to overheating), but a louder ac30 is 2or 3 ac30s daisy chained, not a 50 or 100. UKs biggest Guitar Shop and Music Store, including Birmingham, London, Manchester, and Leeds Guitar Stores. The bright channel is also CRAZY bright like a Hiwatt or 70s JMP. They are a lot tighter sounding and less midrangey as well. Choose from eight all-analog preamp circuits based on classic amps from Vox and others for tones that range from clean chime to high-gain crunch then blend in analog-styled delay, chorus, or reverb to taste. They don't transition into distortion as subtley as a 30 or 15 and the distortion is much edgier. The Vox Analog Valve combos deliver real tube grit and dynamic response from twin 12AX7s in the preamp and power amp stages. The examples I played sounded really great, kinda between a marshall plexi and a hiwatt. There are a lot of little voicing tweaks in the larger amps meant to please the Beatles back when they asked Vox for more power, they really, really are not the same thing as the smaller vox models. No normal channel, no trem channel, no EF86 channel. You get a super bright top boost and a mildly bright top boost with independent stone stacks for each channel. Why am I sharing this stuff, nobody caresġ) 50 and 100 are fixed bias (a weird take on fixed bias, but fixed bias all the same), the 30, 15 and 10 are cathode biasedĢ) the 50 and 100 utilize a modified top boost preamp with less gain and a brighter voicing up until the mk iv version. For me its my '62, but my 62 is bass voiced model with a factory top-boost ubrade and a really hot cathode bias setup even by ac30 standards, not typical beyond its year, but to my ear it defines AC30 tone. There was a lot of variation at vox just within the original JMI era and the definitive ac30 sound is mostly in our heads. Yours is really a half power ac30 though, well, a half power ac30 custom classic, which is not precisey an ac30 in the 60s sense, but with blues it'll get the job done. Real JMI 15s and 30s are very midrangey, particularly the 15 since in the vintage era it was NOT top boosted, had 1 master tone for both channels and super-high-gain (by vintage standards) pentode inputs instead of triodes like the ac30 top boost. Those bigger amps are nothing like the 15 and 30.though the custom classics are voiced cleaner and brighter to sound moe AC50ish to please beatle fans. The Beatles barely used the ac30, mostly used the ac50 and ac100 and then fender bassmans and showmans.
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